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How Precious They Are

from Aphelion: a tribute to Lorraine Hansberry

October 17th, 2021
12 tracks
33:37
Aphelion: a tribute to Lorraine Hansberry
Aphelion: a tribute to Lorraine Hansberry
How Precious They Are
0:00
2:05
How Precious They Are
Fold
Many of the things which puzzle other people stand out in more bold relief to us. Some of the values, some of the contradictions, some of the goodies that we most long for in another part of us we have already judged, you know, we have already seen their emptiness. And some of the really marvellous things that other people don’t pay that much attention to, we know how precious they are. Joy. Beauty. And illumination. And communion… We know how precious they are. I suppose I think that the highest gift that man has is art; and I am audacious enough to think of myself as an artist. I want to reach a little closer to the world – which is to say to people – and see if we can share some illuminations together about each other. My dream is largely outside of myself, which is a happy thing to be able to say. Civil rights, civil liberties; we know that these are not things to be toyed with because we’re still just barely getting our hands on them. We know how precious they are. My word isn’t this marvellous; the inventiveness of the human mind and the human spirit that whenever life doesn’t seem to give an answer we create them. It gives us strength. I don’t think the time will ever come when we will dismiss the human spirit. There is something more to do with your life than accept it as it is. In my time there is both joy and beauty and illumination and communion; we know how precious they are. Civil rights, civil liberties; we know that these are not things to be toyed with because we’re still just barely getting our hands on them. We know how precious they are.
3:30

Our world is ruled by a system that values the accumulation of wealth over life itself and conceals this fact by pretending the opposite. Lorraine Hansberry understood this profoundly, in contrast to most of her contemporaries, as encapsulated in this brief excerpt from her play Les Blancs:

“In one century men choose to hide their conquests under religion, in another under race. So you and I may recognize the fraudulence of the device in both cases, but the fact remains that a man who has a sword run through him because he will not become a Muslim or a Christian—or who is lynched in Mississippi or Zatembe because he is black—is suffering the utter reality of that device of conquest. And it is pointless to pretend that it doesn’t exist—merely because it is a lie.”

— Lorraine Hansberry

Lorraine Hansberry was a Black, homosexual woman at a time when all three characteristics guaranteed even more disadvantage and prejudice than today. Understandably, she considered herself a radical in the true sense of the word. She lived her life with immense courage and tenacity, always remaining true to herself and never yielding in the face of adversity. The authorities treated her as subversive; the FBI maintained a file on her.

Although her two close friends James Baldwin and Nina Simone have in recent years had their legacies restored to some extent, Lorraine’s story has been all but written out of history by a capitalist, patriarchal and homophobic system. It is in defiance of this system that we release our tribute to her. We hope that it may help reclaim her legacy so that her extraordinary contributions and vision can be better recognised. On behalf of all musicians struggling with mental & physical health issues we also want people to know that this album was born out of an extremely challenging period for us. It is a celebration of overcoming those challenges but also a call to overturn a system that values profit above life.

Lastly, we’d like to give a huge shout out & thanks to all of our collaborators on this project who helped out despite pandemic adversity. Leeds’ jazz guru Emma Johnson for the magnificent horn sections, beloved Irish folk musician Kieran O’Malley for the exquisite strings, and of course the exceptional eloquence of UK poet Mr Gee.

Credits

Words and speech by Lorraine Hansberry along with Coretta Scott King (2), EF Schumacher (2), James Baldwin (9) and Mr Gee (6, 11). Additional lyrics and vocals by Seth Mowshowitz
Music written, arranged, mixed & mastered by Seth Mowshowitz
Performed by Fold along with the following:
Horn Arrangements – Emma Johnson
Saxophones – Emma Johnson
Gareth Smith – Trumpet (2, 5)
Simon Dennis – Trumpet (3, 7)
Rosie Nicholl – Trombone
Violins – Kieran O’Malley

Artwork by Seth Mowshowitz
View of Earth from Apollo 4 cover photo by NASA Spacecraft 017/Saturn 501 orbiting Earth at an altitude of 9,544 miles on November 9, 1967.