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Money (ft. Mr Gee)

from Aphelion: a tribute to Lorraine Hansberry

October 17th, 2021
12 tracks
33:37
Aphelion: a tribute to Lorraine Hansberry
Aphelion: a tribute to Lorraine Hansberry
Money (ft. Mr Gee)
0:00
2:05
Money (ft. Mr Gee)
Fold
[Lorraine Hansberry] I happen to think that a life that has as its end something of service and purpose – really doesn’t matter whether you’re making shoes or writing books or plays but has some end product – is a far more substantial life than someone who has gotten led into the way of thinking that tells him that money is the reason why we live. [Mr Gee] You got me killing for you, you got me dying for you, telling me a whole heap of lies wishing them to be true. Lost and heartbroken in a make-believe land, living off hope with no clue & no plan, and no funds and no cash and no drum and no pad, and no friends in high places who can bail-out my crash. Even my last straw has a price attached. [LH] I for one can’t get terribly excited about anyone who wants to commit their lives to just making money as an end in itself. I can’t understand it. I think all values ultimately come out of a materialistic approach to life that there’s no such thing as simply saying to people ‘now be nice’; but you can’t be nice if you’re living miserably. [MG] Damn that credit score’s gonna break my back, gonna break my bones, the dry valley knows: nobody ever passes go without a fistful of lack, without a fistful of guilt? Without a fistful of need? There’s ivory towers on the hill and ebony graves in the street. Colston knows what I mean; statue thrown in the stream with a bottom-line splash of a cash driven man. They praise those that hate me. And seek to enslave me, now everybody money crazy in this make-believe land. [LH] We really don’t have very much in the world at all if we allow any aspect of money values to transcend the requirements that are necessary for human dignity.
2:54

Our world is ruled by a system that values the accumulation of wealth over life itself and conceals this fact by pretending the opposite. Lorraine Hansberry understood this profoundly, in contrast to most of her contemporaries, as encapsulated in this brief excerpt from her play Les Blancs:

“In one century men choose to hide their conquests under religion, in another under race. So you and I may recognize the fraudulence of the device in both cases, but the fact remains that a man who has a sword run through him because he will not become a Muslim or a Christian—or who is lynched in Mississippi or Zatembe because he is black—is suffering the utter reality of that device of conquest. And it is pointless to pretend that it doesn’t exist—merely because it is a lie.”

— Lorraine Hansberry

Lorraine Hansberry was a Black, homosexual woman at a time when all three characteristics guaranteed even more disadvantage and prejudice than today. Understandably, she considered herself a radical in the true sense of the word. She lived her life with immense courage and tenacity, always remaining true to herself and never yielding in the face of adversity. The authorities treated her as subversive; the FBI maintained a file on her.

Although her two close friends James Baldwin and Nina Simone have in recent years had their legacies restored to some extent, Lorraine’s story has been all but written out of history by a capitalist, patriarchal and homophobic system. It is in defiance of this system that we release our tribute to her. We hope that it may help reclaim her legacy so that her extraordinary contributions and vision can be better recognised. On behalf of all musicians struggling with mental & physical health issues we also want people to know that this album was born out of an extremely challenging period for us. It is a celebration of overcoming those challenges but also a call to overturn a system that values profit above life.

Lastly, we’d like to give a huge shout out & thanks to all of our collaborators on this project who helped out despite pandemic adversity. Leeds’ jazz guru Emma Johnson for the magnificent horn sections, beloved Irish folk musician Kieran O’Malley for the exquisite strings, and of course the exceptional eloquence of UK poet Mr Gee.

Credits

Words and speech by Lorraine Hansberry along with Coretta Scott King (2), EF Schumacher (2), James Baldwin (9) and Mr Gee (6, 11). Additional lyrics and vocals by Seth Mowshowitz
Music written, arranged, mixed & mastered by Seth Mowshowitz
Performed by Fold along with the following:
Horn Arrangements – Emma Johnson
Saxophones – Emma Johnson
Gareth Smith – Trumpet (2, 5)
Simon Dennis – Trumpet (3, 7)
Rosie Nicholl – Trombone
Violins – Kieran O’Malley

Artwork by Seth Mowshowitz
View of Earth from Apollo 4 cover photo by NASA Spacecraft 017/Saturn 501 orbiting Earth at an altitude of 9,544 miles on November 9, 1967.