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Living On a Knife's Edge

from We're the Ones

April 13th, 2019
11 tracks
4:52
We're the Ones
We're the Ones
Living On a Knife's Edge
0:00
0:00
Living On a Knife's Edge
Fold
[MR. GEE] There's a delicate balance of what follows fashion as peer pressure unravels an adolescent pattern. You and your friends all like to ride bikes and we did too. You like to sport the latest hairstyles and we did too. And we know that all teenage boys fight and we did too. And you think you were the first on your block to carry a knife? Well back in the day we did too. Ah, this is where the problem lies for this is the question that plagues younger minds. It's all too easy for us older generations to confer and surmise that the violence of today never occurred in our times but… I think things have changed: heavier drugs are being blazed, perceptions have rearranged, strange wars are being waged around the planet… sending the message if you want it then grab it. The pen may be indeed mightier than the sword but the sword makes its point sweetly doing damage. Such is the delicate balance that translates into high streets. This world is ruled by the mighty and no one admires the weak. No one admires defeat, no one cares about the meek, so violence is the language that we all reliably speak. As every day we seek headlines of sensationalised crimes and newspapers offer up more space to advertise. As a campaign issue its hot and even politicians realise that there's more to the pressure in the pot that takes so many lives. And makes so many mothers cry and scream the question why was it their child in that night in that fight that had to die and die for what? Some trivial misunderstanding that could easily be stopped? Some petty argument fueled when tempers run hot? Or over what someone's got or forced pride that's been mocked so the outcome was the fist fight or the night sky being ignited by the gun shot. That person's got the latest pair of Nikes and I want some too. That person's got a father in their family and I want one too. That person's got oil in their country and I want some too. You say that you got hatred for me? Well I've got some too. There's a delicate balance over what follows fashion as peer pressure unravels an interesting pattern An interesting challenge of how we choose to live our lives Are we floating peacefully on the wings of a dove or are we all perched weeping on the edge of a knife? Are we all perched weeping on the edge of a knife?

Videos

We're the Ones is about fostering a sense of empowerment, understanding, unity and equality among listeners. It is also intended as an honest reflection of our troubled times and as a challenge to established narratives that continue to damage our societies.


In order to achieve this we have bound together a diverse collection of voices and perspectives across time & space dealing with urgent subjects. These voices come in the form of MCs, poets, historical speakers and singers. Musically we've let all of our influences, and theirs, freely commingle. The real story of this record is this constellation of contributors.

The title track is our first collaboration with London-based MC & spoken word activist Potent Whisper. The subject matter, lyrics, title and video concept were all his – we just provided the music. UK poet, radio presenter and long time collaborator Mr Gee brought us his celebrated work Living on a Knife's Edge, a painfully relevant unpicking of knife crime. With Stand Up we introduce a talented young Leeds poet called Natalie Davies, reciting her own excellent poem & singing backing vocals (having never recorded in the studio before).

Two more firsts are collaborations with up-and-coming MC / beatboxing champion MotorMouF from Nottingham on Stronger Than the Evils, as well as Komla MC – a Ghanaian expat here in the north of England – confronting the perils of addiction on Bad Thing backed by the magnificent singing of Daisy Martey (of Noonday Underground, Morcheeba et al).

Alongside the contemporary voices are a mixture of speech & singing samples from Malcolm X, Bessie Jones, Dorothy Dandridge, James Baldwin, Lorraine Hansberry, Alice Walker, Marge Piercy, bell hooks, Sweet Honey in the Rock and Margaret Walker. The dead often dance with the living on this record and this is haunting in a sense because the content of their output is so closely aligned despite the intervening decades.

We have also had the great fortune of recruiting some of Leeds’ finest musicians including rising star Emma Johnson with her stellar horn arrangements and superb saxmanship throughout; the well loved Kieran O’Malley turning a single violin into an entire string section; cameos from accomplished keyboardist and composer Jake Mehew on Stand Up and Teacher and an appearance from expat scratch DJ Mista Ed on We're the Ones.

For those wondering, the photograph used on the cover was taken by the great Ansel Adams at Manzanar, “most widely known as the site of one of ten American concentration camps where over 110,000 Japanese Americans were incarcerated during World War II.”

We want to thank everyone who contributed to this record – the credits are as extensive as our gratitude. The dedication on the album is ‘to those who care about others.’ If you are listening and / or reading this, know that you are counted among those people and we thank you most of all for just that.

Credits

Writers – 1, 5, 8, 9, 10 & 11 written by Seth Mowshowitz. 2 written by Seth Mowshowitz & Georgie Stephanou. 3 written by Seth Mowshowitz & Mr Gee. 4 written by Seth Mowshowitz & Natalie Davies. 6 written by Seth Mowshowitz & Robert Amedzro. 7 written by Seth Mowshowitz & Alex Young.
All songs arranged, mixed & mastered by Seth Mowshowitz.

Performed by Fold along with those listed below. Fold are Kane Rattray (drums), Ben Walsh (bass), Sam Hutchison (guitar) and Seth Mowshowitz (programming, keyboards, guitar & bass).

Featured Vocal Performances – 2: Potent Whisper; 3: Mr Gee; 4: Natalie Davies; 6: Komla MC; 7: MotorMouF

Backing Vocals – 2 & 5: Daisy Martey & Bessie Jones; 6: Daisy Martey, B.B. and Group, Jimpson and Group, Walter “Tangle Eye” Jackson; 7: Vera Hall.

Speeches – 1: Malcolm X; 4: Dorothy Dandridge; 5: James Baldwin & Alice Walker; 6: Lorraine Hansberry & Margaret Walker (performed by unknown); 8: Father Perot from a radio adaptation of James Hilton’s Lost Horizon (1950); 9: James Baldwin; 10: bell hooks & Sweet Honey in the Rock; 11: Marge Piercy.

Saxophones – Emma Johnson
Trumpet & Flugelhorn – Neil Morley
Trombone – Ron Christlow
Horn Arrangements – Emma Johnson
Violins – Kieran O’Malley
Rhodes on 4 & 9 – Jake Mehew
Scratching on 2 – Mista Ed

Drums, bass & keyboards on 9 were recorded at The Nave, Leeds.
Guitars & additional bass parts were recorded at Blueberry Hill Studios, Leeds & Seth’s place.
Daisy Martey was recorded at Fossil Studios, London.
Horns were recorded at Jar Mills Studios, Leeds.
Violins were recorded round Sam’s & Seth’s places.
Artwork by Seth Mowshowitz.
Calesthenics [sic] / photograph by Ansel Adams, (1943 Manzanar War Relocation Center)

℗ & © Seth Mowshowitz, 2019. All rights reserved.