image

Stand Up

from We're the Ones

April 13th, 2019
11 tracks
4:52
We're the Ones
We're the Ones
Stand Up
0:00
0:00
Stand Up
Fold
[Dorothy Dandridge] Stand up… [Natalie Davies] Count my blessings as I lay my head to rest Thankful for the pillow to which my face is gently pressed I reflect upon the choices of my day, the fears I evade and the bricks I have laid As I drift into my sleep, I compose a tribute to the brave We forget at times its an easy road we walk chiselled over decades they valued action over talk for Martin set the bar when he dreamt his dream and Rosa stood her ground sitting firmly in her seat [Dorothy Dandridge] Stand up and be counted. [Natalie Davies] When facing injustice and we fear we stand alone remember the same makings are in the seedling to the oak and the brave stand with us when we fly the flag they've flown When handed opportunity let's not squander what they've gained Ignorance and apathy should not be the poor man's game [Dorothy Dandridge] Stand up and be counted. [Natalie Davies] Rest not on your laurels – stand tall to break the fall of yourself and others Be not complacent about historical victories and their causal relation to current place status and dreams Give thanks to formidable slaves, great dames who paved the way for you and me Do you honestly believe we should've earned the right to vote, speak freely and breathe – a divine right in the mind's eye for which they had to bleed? [Dorothy Dandridge] More and more of us are glad for the opportunity to stand up and be counted. [Natalie Davies] Stand up and be… Its never easy to swim against the tide – the sea of inequality cannot be crossed in a stride Today is nothing but missed chances. privileged stance, silenced answers; uncast votes, misquotes and scapegoats; status quo upheld by banknotes. [Dorothy Dandridge / Natalie Davies] Stand up and be counted.
4:52

Videos

We're the Ones is about fostering a sense of empowerment, understanding, unity and equality among listeners. It is also intended as an honest reflection of our troubled times and as a challenge to established narratives that continue to damage our societies.


In order to achieve this we have bound together a diverse collection of voices and perspectives across time & space dealing with urgent subjects. These voices come in the form of MCs, poets, historical speakers and singers. Musically we've let all of our influences, and theirs, freely commingle. The real story of this record is this constellation of contributors.

The title track is our first collaboration with London-based MC & spoken word activist Potent Whisper. The subject matter, lyrics, title and video concept were all his – we just provided the music. UK poet, radio presenter and long time collaborator Mr Gee brought us his celebrated work Living on a Knife's Edge, a painfully relevant unpicking of knife crime. With Stand Up we introduce a talented young Leeds poet called Natalie Davies, reciting her own excellent poem & singing backing vocals (having never recorded in the studio before).

Two more firsts are collaborations with up-and-coming MC / beatboxing champion MotorMouF from Nottingham on Stronger Than the Evils, as well as Komla MC – a Ghanaian expat here in the north of England – confronting the perils of addiction on Bad Thing backed by the magnificent singing of Daisy Martey (of Noonday Underground, Morcheeba et al).

Alongside the contemporary voices are a mixture of speech & singing samples from Malcolm X, Bessie Jones, Dorothy Dandridge, James Baldwin, Lorraine Hansberry, Alice Walker, Marge Piercy, bell hooks, Sweet Honey in the Rock and Margaret Walker. The dead often dance with the living on this record and this is haunting in a sense because the content of their output is so closely aligned despite the intervening decades.

We have also had the great fortune of recruiting some of Leeds’ finest musicians including rising star Emma Johnson with her stellar horn arrangements and superb saxmanship throughout; the well loved Kieran O’Malley turning a single violin into an entire string section; cameos from accomplished keyboardist and composer Jake Mehew on Stand Up and Teacher and an appearance from expat scratch DJ Mista Ed on We're the Ones.

For those wondering, the photograph used on the cover was taken by the great Ansel Adams at Manzanar, “most widely known as the site of one of ten American concentration camps where over 110,000 Japanese Americans were incarcerated during World War II.”

We want to thank everyone who contributed to this record – the credits are as extensive as our gratitude. The dedication on the album is ‘to those who care about others.’ If you are listening and / or reading this, know that you are counted among those people and we thank you most of all for just that.

Credits

Writers – 1, 5, 8, 9, 10 & 11 written by Seth Mowshowitz. 2 written by Seth Mowshowitz & Georgie Stephanou. 3 written by Seth Mowshowitz & Mr Gee. 4 written by Seth Mowshowitz & Natalie Davies. 6 written by Seth Mowshowitz & Robert Amedzro. 7 written by Seth Mowshowitz & Alex Young.
All songs arranged, mixed & mastered by Seth Mowshowitz.

Performed by Fold along with those listed below. Fold are Kane Rattray (drums), Ben Walsh (bass), Sam Hutchison (guitar) and Seth Mowshowitz (programming, keyboards, guitar & bass).

Featured Vocal Performances – 2: Potent Whisper; 3: Mr Gee; 4: Natalie Davies; 6: Komla MC; 7: MotorMouF

Backing Vocals – 2 & 5: Daisy Martey & Bessie Jones; 6: Daisy Martey, B.B. and Group, Jimpson and Group, Walter “Tangle Eye” Jackson; 7: Vera Hall.

Speeches – 1: Malcolm X; 4: Dorothy Dandridge; 5: James Baldwin & Alice Walker; 6: Lorraine Hansberry & Margaret Walker (performed by unknown); 8: Father Perot from a radio adaptation of James Hilton’s Lost Horizon (1950); 9: James Baldwin; 10: bell hooks & Sweet Honey in the Rock; 11: Marge Piercy.

Saxophones – Emma Johnson
Trumpet & Flugelhorn – Neil Morley
Trombone – Ron Christlow
Horn Arrangements – Emma Johnson
Violins – Kieran O’Malley
Rhodes on 4 & 9 – Jake Mehew
Scratching on 2 – Mista Ed

Drums, bass & keyboards on 9 were recorded at The Nave, Leeds.
Guitars & additional bass parts were recorded at Blueberry Hill Studios, Leeds & Seth’s place.
Daisy Martey was recorded at Fossil Studios, London.
Horns were recorded at Jar Mills Studios, Leeds.
Violins were recorded round Sam’s & Seth’s places.
Artwork by Seth Mowshowitz.
Calesthenics [sic] / photograph by Ansel Adams, (1943 Manzanar War Relocation Center)

℗ & © Seth Mowshowitz, 2019. All rights reserved.